Ne Place After Another Sitespecific Art and Locational Identity by Miwon Kwon
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It occurred to me some fourth dimension ago that for many of my art and academic friends, the success and viability of one's work are now measured by the accumulation of frequent flyer miles. The more nosotros travel for work, the more we are called upon to provide institutions in other parts of the country and the world with our presence and services, the more nosotros give in to the logic of nomadism, one could say, the more than nosotros are made to feel wanted, needed, validated and relevant. Our very sense
Miwon Kwon writes:Information technology occurred to me some time ago that for many of my art and academic friends, the success and viability of i'due south work are now measured by the accumulation of frequent flyer miles. The more we travel for piece of work, the more we are called upon to provide institutions in other parts of the country and the world with our presence and services, the more we give in to the logic of nomadism, ane could say, the more we are fabricated to experience wanted, needed, validated and relevant. Our very sense of cocky-worth seems predicated more and more on our suffering through the inconveniences and psychic destabilizations of ungrounded transience, of not existence at home (or not having a dwelling house), of e'er traveling through elsewheres. Whether we enjoy it or not, we are culturally and economically rewarded for enduring the "wrong" place. We are out of place all too often. Or, peradventure more accurately, the distinction between home and elsewhere, between "right" and "wrong" places, seems less and less relevant in the constitution of the self. […] Just I remain unconvinced of the ways a model of meaning of interpretation is called along to validate, even romanticize, the material and socioeconomic realities of an afoot lifestyle. I am suspicious of this analogical transposition and the seductive allure of nomadism information technology supports, if for no other reason than the fact of my ain personal ambivalence toward the physical and psychical experiences of mobilization and destabilization that such nomadism demands. To embrace such conditions is to leave oneself vulnerable to new terrors and dangers. At the very to the lowest degree, we have to acknowledge this vulnerability.
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In brief, it is a great introduction to site-specific art (though in many office
The only thing I am certain of after reading this book is that I am deeply provincial when it comes to fine art outside museum walls; how unaware I was of the wonderful earth of site-specific fine art inside and outside gallery walls, filling the streets, local communities, and nature with content that challenges identities, builds relationships, expands a meaning of space, and in other ways affects or is affected past the locality.In brief, information technology is a smashing introduction to site-specific art (though in many parts, still beyond my ain reach). There are no taking sides in this book, just a research-based polemic on how the concept of site-specific art changed through years & different practices, which helps to navigate in this branch of the art world, while the relationship between location and identity gets just more complex and unstable.
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"How do nosotros account, for instance, for the sense of soaring exhilaration and the anxious dread ngendered by the new fluidities and continuities of space and time, on the one paw, and their ruptures and disconnections on the other? And what could this doubleness of feel mean in our lives?" A skilful question:
"How practise we business relationship, for instance, for the sense of soaring exhilaration and the anxious dread ngendered by the new fluidities and continuities of space and time, on the one manus, and their ruptures and disconnections on the other? And what could this doubleness of feel mean in our lives?" ...more
the absence of christo was off-putting.
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Source: https://www.goodreads.com/book/show/371557.One_Place_After_Another
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